It’s the Why that counts !

By accident I ran across this short book review of Erik Wesner’s “Success made simple” by John Moore over at Brand Autopsy.

What struck me was the first paragraph of the summary about the success of the Amish people driven by starting with the “Why”. This is exactly the message of Simon Sinek in his latest book “Start with why” (website). (Also watch his inspiring TED talk)

So it is not always Steve Jobs who can serve as the role model.

Success in the Marshmallow Challenge

Here is another interesting talk from TED. Tom Wujec analyses the Marshmallow Challenge (www.marshmallowchallenge.com) and what it takes to succeed.

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My three take-aways for successful innovation:

  1. prototyping and early feedback
  2. incentives do not improve the result, just the opposite (also see Dan Pink’s TED talk)
  3. innovation is a contact sport that requires interaction with all senses

Robot emotions, no ?!

Just came across this interesting talk by Dennis Mong at TEDxNASA

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Besides liking the overall talk, one very specific moment touched me. Roughly at 9:44 DARwIn 2a an autonomous robot scores his first goal in 2006. And while the developers burst out in cheers and GOOOOAL cries, the robot just stands there. My impression seeing it was, he just did not understand what this fuss was about.

So while scoring a goal is very well possible today, it will take some more development until robots really can play football, also emotionally.

And at 12:20 he starts sharing the labs secrets of innovation and creativity. Very interesting.

The Beauty of Organization

Over at Design Thinking Tim Brown (Ideo’s CEO) asked the question about the beauty of organisations. I have started to think about a similar question concerning business models so I dropped a few thoughts as comments.

Still working on finding an answer on the business model question.

Post 1:

I really like the question of beauty and aesthetics of organizations. The major challenge with organizations is that you can not feel, touch or experience organizations. So you can not easily build prototypes or enact the service experience. And I guess organization is also related to the corresponding business model and in some cases has a legacy/history/tradition aspect that is hard to capture.

The underlying issue here is that we are lacking a agreed visual representation of organizations and business model that would allow us to use aesthetic rules to evaluate them. The closest I have come across up to now is the Business Model Canvas by Alex Osterwalder (http://www.businessmodelalchemist.com/) that allows to show business model, but still lacks aesthetic criteria.

Evaluating organizations the question is also what the final success criteria is and whether “beauty” is really translated in to innovation or business success or profitability. And is a hierarchical organization more beautiful than a small team collaborative approach. Is the 150-organization size limit at Gore beautiful ?

So I would start with looking at ways to visualize organizations and translate business models that allow aesthetic evaluation.

Post 2:

Hi Tim

couldn’t stop thinking about your “organizational beauty” question on top of
my previous post and here are a few more thoughts.

You take the bee colony as an example of beautiful organization and I would agree. The focus of the bees, however, is not so much on innovation but on robustness and survival. So innovation might require a specific view on organization.

Your question tries to map the abstract concept of organization to the abstract concept of beauty (and throwing in innovative-ness as a third) and I feel you probably need to put some “facts” in the mapping process.

So I would start by identifying measurable criteria/factors assumed to be relevant for innovation and organization like: team size, different areas of knowledge/competency involved in innovation process, number of
contacts required in teams, geographical distribution of teams, speed and levels of decision making within organization, innovator archetypes involved in teams, distribution of power within team (equal votes vs. few leaders).
I would then put this in some tool that could translate this for different organizations into a visual representation, e.g. using Processing and tree diagrams (see for example http://www.generative-gestaltung.de/M_6_4_01_TOOL ).

Playing around with this I guess you could already see whether there is beauty, e.g. very colorful or evenly distributed patterns in specific organizations.

Coming to the organizational archetypes for innovation you could feed organizational structures for teams which could be considered innovative/creative and look at the results, e.g. film studios/tv productions, ad agencies, research institutes, product design/development firms, startups, etc.

I would think that this could also generate some overarching principles for innovative teams, e.g. like Gore’s “not more than 150 people in one organization” or Shaker-like principles you already mentioned.

Visual thinking on a global scale

Just found this masterpiece of visual explanation by Dan Roam in the Internet. The key is the demonstration of the power of the visual explanation.
Personally, working in and with many global teams I spend a lot of time in teleconferences and web meetings where much of this power is lost. The maximum of visual input is a set of prepared slides that are shown. The creative power of standing at a whiteboard and jointly developing a (visual) understanding of the problem and solution is not or hardly possible.
Just by coincidence SAP today launched a new product StreamWork which enables Internet-based collaboration, but watching some of the demo videos it appears is also focuses on formal structures like presenations, to-to-lists, tasks, etc.
It is also interesting to watch the excellent presentation of Tim Brown (CEO of IDEO) at Serious Play conference, where he discusses IDEO’s approach to brainstorming and creativity. Obviously thinking with hands and brainstorming and personal interaction are key to innovation and creativity.
Being a very visual person I’m still looking for Internet-based tools to support this visual interactions. Actually it would be interesting to know whether Internet-based global collaboration changes our decision making and creative process.

99 reasons to buy

Cleaning up my desk I came across a flyer from the Bachler-Team, a training and consulting company from Austria. The flyer lists “99 Reasons to decide for the Bachler-Team”. Picking up the flyer when we had an off-site session at their beautiful location in Abtenau a few years ago, my boss asked me to have something similar for our products.

So I started collecting ideas and reasons, but only managed to get to roughly 35.

Now picking it up again I started thinking: Is it better to have 99 reasons, which is quite a lot, or rather have 2 or 3 very compelling reasons? While the flyer obviously is intended to be a little fun and not meant to be too serious, in the meantime I strongly believe that the few compelling reasons are the key for successful business.

Many reasons are intended to match the expectations of as many potential customers as possible, but it is almost impossible to fulfill 99 promises.

Theater in the Internet Age

Over the weekend I heard a radio interview with famous german theater actor Rolf Boysen. He will turn 90 the next days and had some great insights to share.
However, the main point that struck me was not so much any specifics he mentioned but the my question what the theater would look like in the Internet Age with Twitter, Facebook, Youtube.
The worldview in almost all theater plays today, especially classical ones – and Rolf Boysen is especially known for playing King Lear – is about people interacting face to face in a real, physical world.
Today people are more and more interacting via email, facebook, twitter, skype, i.e. not in a real world but in a virtual world.
So would theater in the Internet Age being people exchangig tweets, would we need actors at all and would they just sit in front of PCs to write their messages to big screens?
Or would the actors actually read their texts aloud?
What kind of training would actors need in the future?
And what about the audience, wouldn’t it be very boring just reading text from screens?
Would the audience actually still assemble at a theater as a physical location or would they just meet in the Internet to watch / read the play at home ?
Could we actually start by adapting classical plays for Twitter ?
(and by doing so discover what is lost in a virtual world)

The Butterfly-Effect in Social Media

Last night I saw an interview with Miriam Meckel, professor for Corporate Communication, on TV. It was mainly about her new book reflecting her experiences with burnout.

The interesting part for me, however, were her comments on the effects of algorithm-based match-making in many areas of the Internet. Not only do we get hints at Amazon about books I might like based on what I recently ordered, also on Facebook I might get suggestions on people I might like. Just to mention 2 cases.

Miriam Meckel’s point was that we might miss interesting conversations, if we only get to know people that are like ourselves – based on the evaluation of some computer algorithm. In real life the most surprising ideas might arise from talking to people we originally might have considered boring and disliked.

So, does this lead to communities of people who are all alike ? And what if the initial proposals are somewhat off in a certain direction and this will enforce a specific direction.

This brings me to something that came up when reading Jeff Jarvis’ “What would Google do?”. Jeff Jarvis explores the Google business model of openness for other industry. One example he explores is restaurants. He suggests that restaurants should give the customers the option to influence the menu or the specific recipes or ingredients. Now what if the first 3 customers like spicy food and comment on this. Would this make or drive the restaurant into becoming the center for spicy food in town, although the chef might prefer something else? Would this make the result a matter of luck.

Putting these 2 points together. Do algorithm-based approaches to communities and preferences as they are common in Internet applications drive towards clusters of average people around a random core, depending on the first initial people joining or commenting ?

Why can’t trains be operated like planes ?

I spent the weekend going back and forth through Germany by train and this triggered the question above.

The journey started with issues and ended with issues. Germany’s Deutsche Bahn has some problems at the moment with their high-speed trains so eventually they don’t have enough coaches from the trains. But somehow the can not manage this in their reservation system and customer service, so people who have made a seat reservation – and paid extra for that – are left with their seat not available.

On the first part this caused our train to be delayed, so we missed our connecting train. So we had to take a later train, which itself had some technical problems and was again delayed.

On our way back we were ourselves victim to a “disappearing coach” so our reserved seat was just not there. And while I have to admit that the conductor managed the situation very professionally and we were lucky to get some alternative seat, it nevertheless left me with the question about simple service improvements.

I had ordered the tickets via the Internet so they could have known my reservation and email address and I assume that the decision that 6 coaches are not available is not something decided on the spot, but known some time in advance.

So why not send an email with a new reservation, so I would not even have to go through the hassle of trying to find a non-existent seat?  Why not create new reservations and give printouts with the mapping to the conductors and service people on the platform with some announcement that people could get their new seats from them?

I assume that this is not a logistics “super-problem” as airlines manage seat assignments and changes everyday. They can even send me a SMS when my flight is delayed.

Another issue that struck me was, when our connecting train had technical problems and the conductor made an announcement. Apparently he thought if he would speak as quietly as possible no one would notice the delay. But exactly the opposite happened. Everybody in the train was even more annoyed, because on top of the delay we could not understand the announcement and therefore didn’t know what was going on.

So again I would think a simple thing to improve customer service. Just be as transparent and audible as possible on what the status is. Any delay will be annoying to travelers, but having to guess about the status will make it even worse or to the opposite – also reflecting Jeff Jarvis’ experience here –  openess will improve the situation.